Tag Archives: ordinary

Tea stats

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No one on earth drank tea a few thousand years ago. A few small tribal groups in the jungles of south-east Asia chewed the leaves of the plant, but that was the nearest anyone came to tea drinking. 2000 years ago it was drunk in a handful of religious communities. By a 1000 years ago it was drunk by millions of Chinese. 500 years ago over half the world’s population was drinking tea as their main alternative to water.

During the next 500 years tea drinking spread to cover the world. By the 1930s there was enough tea for 200 cups of tea a year for every person in the world. Tea is now more ubiquitous than any type of food or drink apart from water. Thousands of millions of cups of tea are drunk every day. In Britain, for example, 165 million cups of tea a day are drunk, an average of over 3 per person. This means that about forty per cent of the total liquid intake of the British population is in the form of tea.

Alan and Iris Macfarlane, Green Gold, published 2003

Thinking laterally and vertically and conjuring new realities

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TEST

This post also appears as an entry on The Red Line, South East Dance‘s blog exploring dramaturgical thinking.

conjuring-new-realities

A desire to learn more about dramaturgical approaches and to test them out on the germ of an idea for a new work led me to this workshop organised by South East Dance. Through group activities we explored “the potential of language as a generative form” and I left Martin Hargreave’s workshop with many strategies for getting outside my own ‘natural’ processes, and for approaching my research in both a more frivolous, and voluminous way. Do lots. Discard later.

Richard Serra’s Verb List 1967-68 – which we employed (see photograph in Adrienne Hart’s blog post) – provides a useful metaphor for some of the tasks and approaches we undertook. You can think across the list both horizontally and vertically, or randomly, exploring the connections and contradictions between words and ideas, following fruitful correspondences, discarding others (for now).

A collaborative manifesto-writing task produced something for the idea I am researching. I find it fascinating that the words of others could help me to draw together, tease out and name some of the principles behind a work that is, for now, a rough muddle in my head. Especially since, up to now it has existed as a kind of out-of-focus image‑gallery.

Adding to the manifestos accumulating on The Red Line, here is the current iteration:

 

Manifesto for (Preparing to) Making Art with Guests 1

Be a Host (ess).

Take care of the space. Make it inviting.

Bring sustenance for you and your guests.

Create a convivial environment in which connections can emerge, listening can take place and the impossible can be imagined.

Imagine the impossible.

 

Collect and assemble starting points or puzzles for your guests.

Guide your guests through mapping, describing and articulating.

Assemble and use ordinary objects that excite you/them.

Make your guests Protagonists.

Do what you want.

Do what they want.

 

Listen to The Smiths.

 

Take things apart and remake them.

Make visible your Guests chameleon-like nature – their thick-and-thin skinned-ness.

Make a record of the record.

 

Give meaning and hope to frustration and suffering.

Louise Bourgeois

 

Reading through the first few entries about this workshop on The Red Line I would also like to steal (borrow/try for size) from a fellow artist who attended the Test workshop. I adopt a second set of principles for this work from Re‑Manifesto.

 

Manifesto for (Preparing to) Making Art with Guests 1.1

I am an acrobat of time.

Space has no meaning.

I’m a healer.

 

Professional Development supported through South East Dance and Jerwood Charitable Foundation Dramaturg in Residence Programme 2016/17.